It’s fun while it lasts, but ultimately a little empty - kind of like a lot of Netflix shows we’ve binged over the years. But Joan’s quest eventually turns into a silly caper that becomes head-spinningly meta, to the point where we can’t even be sure what we’re seeing is real. It’s a clever concept that takes on our current binge-watch culture and the terrifying implications of artificial intelligence, and Murphy is backed up by a flurry of celebrity cameos. (It even has the “tudum” sound and everything.) The show-within-a-show stars Salma Hayek and exposes Joan’s innermost secrets to everyone in her life, ruining her relationships and sending her on a panicked quest to stop the series from airing. Grade: C-plusįirst of all: Did Netflix approve this? Black Mirror takes a big old bite out of the hand that hosts it in this wild installment, starring Schitt’s Creek alum Annie Murphy as Joan, an ordinary woman who discovers her life has been turned into a prestige TV show on a Netflix-esque streamer called Streamberry. Still, the gory conclusion might leave you feeling slightly queasy… like you just scrolled through TMZ for five straight hours. This episode doesn’t have anything particularly original to say about seedy tabloid journalism, and the whole thing feels pretty underwhelming - until it takes a bizarre supernatural turn that transforms it into an old-fashioned monster movie. She doesn’t feel great about her line of work, but the promise of a huge payday puts her on a collision course with a troubled starlet who’s freshly AWOL from the set of her latest movie. This punchy installment takes us back to the Us Weekly heyday of 2006, with Atlanta‘s Zazie Beetz playing a paparazzo stalking celebrities in sunny Hollywood. ![]() Add in a wildly bleak ending that doesn’t make a whole lot of sense, and we’re not sure this mission should’ve even been attempted. But with a languorous 80-minute running time (the longest of the season), it’s all a bit sleepy and sterile, giving us plenty of time to predict the inevitable plot developments before they happen. The period setting gives the tale a vintage vibe with a sci-fi kick, and the production design is impeccable. ![]() But of course, there’s a twist: The astronauts have robotic replicas of themselves living their lives on earth while they’re in space, and an unspeakable tragedy leads to a thorny ethical dilemma about the true meaning of identity. So which ones should you watch first? And which ones should you steer clear from entirely? Read on to get our take on all five Season 6 episodes, ranked and graded, and then once you’ve watched, hit our poll below to tell us your favorite episode of the season.Īt first, this episode feels like a Space Race throwback in the vein of For All Mankind, with Aaron Paul and Josh Hartnett playing 1960s astronauts on a mission in space. Season 6 still has the big-name stars and stunning twists we’ve come to expect - but actually, the two most satisfying episodes are the least star-studded, the most thoroughly British and the least reliant on high-tech shockers.Īs always with Black Mirror, Season 6 is a mixed bag, with a couple of duds and a couple of gems on the roster. In fact, most of Season 6’s five episodes are set in the past, before smartphones took over our lives, and that storytelling freedom allows series creator Charlie Brooker to expand on the idea of what a Black Mirror episode can be. Netflix’s creepy sci-fi anthology has returned with new episodes for the first time in four years, and Season 6 breaks free of a lot of the “evil technology” clichés we associate with the series. ![]() Black Mirror is back… but it might look a little different than the Black Mirror you remember.
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